Jamini Roy Paintings

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Radha Krishna - Jamini Roy Painting
Radha Krishna - Jamini Roy Painting
Three Vaishnavis - Krishna Devotees
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HL72: Radha Krishna - Jamini Roy Painting
[ Ceramic Dust ]
10 x 10 inches
Weight 600 gms.

US $66.00

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Click for Details Click to add to your list of favorites
HL73: Radha Krishna - Jamini Roy Painting
[ Ceramic Dust ]
10 x 10 inches
Weight 600 gms.

US $66.00

[ Free Shipping Worldwide ]
Click for Details Click to add to your list of favorites
PF61: Three Vaishnavis - Krishna Devotees
[ Jamini Roy Painting Reproduction on Cloth - Unframed ]
24 inches x 16 inches
US $27.00

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The Bhagavad Gita, literally translated as the 'Song Of God', is a part of the immense Indian epic, the Mahabharata...enjoys an exalted position in India's culture and philosophical milieu... the Gita completely accepts the philosophy that God is the Universe and everything that we see in it...plus something more that we normally do not perceive... The whole essence of the Bhagavad Gita lies in the various types and theories of Dharma it expounds... Krishna talks of universal harmony and strict, unflinching adherence towards duty... Krishna, in his exposition of the Gita, explains to Arjun the yogic aspects of Bhakti (devotion), Karma (action), Gyana (knowledge) and Dhyana (meditation)... the Bhagavad Gita...purifies the mind, completely destresses the individual and helps him realize the ultimate Godhead...
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Find the best of Indian art paintings in this collection of folk art paintings from various regions of India. These Indian paintings depict Indian life through various schools of Indian art. Some paintings have a very old style and some are relatively modern paintings. We feature reproduction paintings from the Jamini Roy school of art and Kalighat paintings from West Bengal. Jamini Roy develop a unique style and identity, around 1925, he began experimenting with folk arts in India, borrowing ideas from the Kalighat paintings and the terracotta work of the Vishnupur temple. By the 1930s, he had switched over completely to indegenous styles and medium for his art - using his own painting surfaces of cloth, wood or even cane mats coated with lime, instead of the traditional canvas used by painters, and earth and vegetable colors for paints. His artwork definitively stepped away from the familiar styles of schooled training in art and embraced the wild lyrical beauty of the folk art of Bengal.

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